{"id":31,"date":"2012-08-27T19:27:12","date_gmt":"2012-08-27T17:27:12","guid":{"rendered":""},"modified":"2018-09-17T21:56:55","modified_gmt":"2018-09-17T19:56:55","slug":"bla-bla-bla","status":"publish","type":"post","link":"https:\/\/spireng.sk\/en\/bla-bla-bla\/","title":{"rendered":"Bla Bla Bla"},"content":{"rendered":"

\"Obr\u00e1zok\"N\u00e1zov tohto \u010dl\u00e1nku som nevymyslel ja. Dovolil som si vo\u013en\u00fd preklad knihy s n\u00e1zvom Blah Blah Blah<\/em> od Dana Roama<\/em>. A o \u010dom t\u00e1 kniha je? O tom, \u017ee m\u00e1lo kresl\u00edme, ve\u013ea rozpr\u00e1vame, a \u017ee l\u00ed\u0161ka nie je kolibr\u00edk a naopak. Ale po\u010fme pekne po poriadku.<\/p>\n

Dan Roam je \u010dlovek, ktor\u00fd presadzuje kreslenie. Nie tak\u00e9 to umeleck\u00e9, ale sk\u00f4r ka\u017edodenn\u00e9, praktick\u00e9. Ako n\u00e1stroj, pomocou ktor\u00e9ho m\u00f4\u017eeme rie\u0161i\u0165 probl\u00e9my a navz\u00e1jom komunikova\u0165. Ak viete nakresli\u0165 aspo\u0148 obd\u013a\u017enik, trojuholn\u00edk, kr\u00fa\u017eok a \u0161\u00edpku, ste vizu\u00e1lny typ (viete kresli\u0165) a ste jeho \u010dlovek. Bla Bla Bla (3B) nie je jeho prv\u00e1 kniha. V skuto\u010dnosti je to u\u017e tretie pokra\u010dovanie, pri\u010dom jednotka bola The Back of the Napkin <\/span><\/em><\/strong>(do \u010de\u0161tiny prelo\u017een\u00e1 ako N\u00e1pady na obrousku) a dvojka <\/span><\/span><\/strong>Unfolding the Napkin<\/span><\/span><\/em><\/span><\/a><\/strong>. V tejto tretej \u010dasti Dan pokra\u010duje vo svojej te\u00f3rii o tom, ako vie by\u0165 kreslenie prospe\u0161n\u00e9 a ako je ka\u017ed\u00fd z n\u00e1s bl\u00edzko tomu, aby ho zvl\u00e1dol.<\/span><\/span><\/span><\/span><\/strong><\/p>\n

3B je negat\u00edvny jav, kedy je pou\u017eit\u00fdch pr\u00edli\u0161 ve\u013ea slov. Namiesto toho, aby sa pomocou nich podala inform\u00e1cia, tak sa sk\u00f4r len zahmlieva alebo zav\u00e1dza. Dan tvrd\u00ed, \u017ee sme zasypan\u00ed mno\u017estvom slov, ktor\u00e9 s\u00fa nevyv\u00e1\u017een\u00e9 nedostatkom obrazov a to sp\u00f4sobuje, \u017ee komunik\u00e1cia viazne a rie\u0161enia probl\u00e9mov tie\u017e. Preto prich\u00e1dza so sadou postupov, ako \u010das\u0165 slov nahradi\u0165 obrazmi, vydestilova\u0165 podstatu a u\u013eah\u010di\u0165 si \u017eivot. Tieto n\u00e1stroje s\u00fa podobn\u00e9 t\u00fdm z predch\u00e1dzaj\u00facich kn\u00edh, a predsa trochu in\u00e9. P\u00f4vodn\u00e1 my\u0161lienka ost\u00e1va rovnak\u00e1 (obr\u00e1zok je rovnako d\u00f4le\u017eit\u00fd ako text), len postupy a n\u00e1stroje sa pos\u00favaj\u00fa \u010falej.<\/span><\/span><\/span><\/span><\/strong><\/p>\n

Zauj\u00edmav\u00e1 je napr\u00edklad my\u0161lienka, \u017ee my, modern\u00ed \u013eudia, sme omnoho n\u00e1chylnej\u0161\u00ed pou\u017e\u00edva\u0165 slov\u00e1 ako obrazy, preto\u017ee sme v tom smere boli omnoho viac vzdel\u00e1van\u00ed. Od z\u00e1kladnej \u0161koly absolvujeme mno\u017estvo predmetov, kde pracujeme s textom, u\u010d\u00edme sa p\u00edsa\u0165, \u010d\u00edta\u0165 a tvori\u0165 s\u00favisl\u00e9 texty. Ale nikto n\u00e1s neu\u010d\u00ed vyjadrova\u0165 my\u0161lienky obrazom a u\u017e v\u00f4bec nie ich t\u00fdmto sp\u00f4sobom rie\u0161i\u0165. Preto ke\u010f pr\u00edde na l\u00e1manie chleba, omnoho rad\u0161ej siahneme po slov\u00e1ch ako po obrazoch. Aj preto sa Dan rozhodol zostavi\u0165 vizu\u00e1lnu gramatiku ako opak klasickej gramatiky jazyka. Tak\u00e1to gramatika predstavuje z\u00e1kladn\u00e9 stavebn\u00e9 kamene a postupy ich kombinovania za \u00fa\u010delom vyjadrenia my\u0161lienky. Napriek tomu, \u017ee to znie stra\u0161ne odborne, je to ve\u013emi jednoduch\u00fd postup.<\/span><\/span><\/span><\/span><\/strong><\/p>\n

Okrem tejto gramatiky kniha postupne prezentuje \u010fal\u0161ie n\u00e1stroje. Ako sa dosta\u0165 k obr\u00e1zkom, ktor\u00e9 obsahuj\u00fa len podstatu alebo ako pripravi\u0165 prezent\u00e1ciu (samozrejme pln\u00fa obr\u00e1zkov) pre ur\u010dit\u00e9 publikum. Roam r\u00e1d formuje svoje n\u00e1pady do n\u00e1strojov – d\u00e1va im nejak\u00fd vizu\u00e1lny tvar a funk\u010dnos\u0165 podobn\u00fa n\u00e1stroju v na\u0161om svete (mnohofunk\u010dn\u00fd vreckov\u00fd no\u017e\u00edk, \u010falekoh\u013ead, ktor\u00fdm si prezriem svoje publikum a pod.). Je to zauj\u00edmav\u00fd pr\u00edstup a ur\u010dite m\u00e1 nie\u010do do seba.<\/span><\/span><\/span><\/span><\/strong><\/p>\n

Knihu nepochybne stoj\u00ed za to pre\u010d\u00edta\u0165. Nie len, \u017ee je nap\u00edsan\u00e1 ve\u013emi \u010ditate\u013ene (a je v nej naozaj ve\u013ea obr\u00e1zkov), ale prezentovan\u00e9 my\u0161lienky ur\u010dite stoja za ten \u010das. Ak u\u017e ni\u010d in\u00e9, tak po jej pre\u010d\u00edtan\u00ed budete ma\u0165 ur\u010dite nutkavej\u0161\u00ed pocit kresli\u0165, ak budete musie\u0165 niekomu nie\u010do vysvet\u013eova\u0165. A vo svete v\u00fdvoja softv\u00e9ru, kde sa to hm\u00fdri abstraktn\u00fdm pojmami, je tak\u00e9 nutkanie na nezaplatenie.<\/span><\/span><\/span><\/span><\/strong><\/p>\n

A \u010do ten spom\u00ednan\u00fd kolibr\u00edk a l\u00ed\u0161ka? L\u00ed\u0161ka je na\u0161a \u013eav\u00e1, analytick\u00e1 \u010das\u0165 mozgu, ktor\u00e1 miluje slov\u00e1 a presnos\u0165. Kolibr\u00edk je prav\u00e1, vizu\u00e1lna \u010das\u0165, ktor\u00e1 miluje obrazy a zvl\u00e1da obsiahnu\u0165 cel\u00fd probl\u00e9m naraz. Dan op\u00e4\u0165 raz pomocou t\u00fdchto zvierat vizualizoval nejak\u00fd fakt. A ide\u00e1lny stav je, ak s\u00fa l\u00ed\u0161ka s kolibr\u00edkom v rovnov\u00e1he.<\/span><\/span><\/span><\/span><\/strong><\/p>","protected":false},"excerpt":{"rendered":"

N\u00e1zov tohto \u010dl\u00e1nku som nevymyslel ja. Dovolil som si vo\u013en\u00fd preklad knihy s n\u00e1zvom Blah Blah Blah od Dana Roama. A o \u010dom t\u00e1 kniha je? O tom, \u017ee m\u00e1lo kresl\u00edme, ve\u013ea rozpr\u00e1vame, a \u017ee l\u00ed\u0161ka nie je kolibr\u00edk a naopak. Ale po\u010fme pekne po poriadku.<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[],"class_list":["post-31","post","type-post","status-publish","format-standard","hentry","category-psychologia"],"_links":{"self":[{"href":"https:\/\/spireng.sk\/en\/wp-json\/wp\/v2\/posts\/31","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/spireng.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/spireng.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/spireng.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/spireng.sk\/en\/wp-json\/wp\/v2\/comments?post=31"}],"version-history":[{"count":2,"href":"https:\/\/spireng.sk\/en\/wp-json\/wp\/v2\/posts\/31\/revisions"}],"predecessor-version":[{"id":223,"href":"https:\/\/spireng.sk\/en\/wp-json\/wp\/v2\/posts\/31\/revisions\/223"}],"wp:attachment":[{"href":"https:\/\/spireng.sk\/en\/wp-json\/wp\/v2\/media?parent=31"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/spireng.sk\/en\/wp-json\/wp\/v2\/categories?post=31"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/spireng.sk\/en\/wp-json\/wp\/v2\/tags?post=31"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}